《我是風》改編自挪威作家庸．佛瑟（Jon Fosse）之作品，其極簡而富張力的語言風格，使文本在語言與沉默之間展開細膩流動，也開啟劇場中對「存在」與「感知」的多重理解。 本次講座以《我是風》為出發點，由導演王世偉與演員林子恆共同分享，從文本拆解與排練實踐出發，說明作品如何透過身體、聲音與空間的調度，發展出一種以感官經驗為核心的表演形式，並使觀眾進入介於語言與感知之間的劇場狀態。 講者 王世偉 畢業於國立臺北藝術大學，後赴法國鑽研劇場美學，以實務者的角度參與、解讀、分析、研究表演藝術。創作歷程涵蓋實踐與研究，持續探索嶄新形式與當代議題。2020年，以《群眾》獲得第18屆台新藝術獎「表演藝術獎」。導演作品如《爭》、《壵》、《虛擬日常》，透過實驗性美學突破形式框架，挑戰當代社會的權力結構。 近年來，也積極拓展跨域合作，以戲劇構作的身份深化表演藝術語言的多元可能。 講者 林子恆 英國艾賽特大學舞台實踐藝術碩士，臺灣大學戲劇學系畢業，以演員及表演教師身份於台灣劇場藝術深耕多年。其表演風格深受菲利普·薩睿立教授（Phillip B. Zarrilli）所倡之身心合一表演方法影響，同時結合希臘阿提斯劇院的The Return of Dionysus訓練系統。 2023年演出窮劇場《感謝公主》榮獲「第22屆台新藝術獎年度大獎」，2024年以同黨劇團《父親母親》入圍第一屆臺北戲劇獎最佳戲劇類男演員獎，該作最終榮獲最佳戲劇作品獎。 喜愛與多方團隊合作演出，作品內容多樣，涵蓋戲劇、舞蹈、歌唱等不同領域。期許自身以表演者作為載體，持續探究劇場藝術與現代社會對話的可能性。 近年劇場作品：四把椅子劇團《太陽》、《春眠》；同黨劇團《父親母親》、《灰男孩》；國家兩廳院《給你的最後一封情書》、《葉瑪》、《酒神的女信徒》；果陀劇場《解憂雜貨店》；窮劇場《感謝公主》；衛武營《魂顛記—臺灣在地魔幻事件》；故事工廠《他們等待的那位果陀》、《七十三變》等。 I Am the Wind is adapted from a work by Norwegian writer Jon Fosse. Characterized by its minimalist yet deeply resonant language, the text unfolds in the subtle space between speech and silence, opening up multiple perspectives on existence and perception within the theatrical experience. Centered on I Am the Wind, this talk brings together director Wang Shih-Wei and actor Lin Zi-Heng to share insights into the creative process behind the production. Through discussions of textual analysis and rehearsal practice, they will explore how the work employs the interplay of body, voice, and space to develop a performance language rooted in sensory experience, inviting audiences into a theatrical state that exists between language and perception. Panelist｜WANG Shih-Wei After finishing his P.H.D. degree in University of Paris III, Shih-Wei works between France and Taiwan as an artist, cultural journalist and translator. His projects comprise a variety forms, including theatrical adaptation, choreographic performance, music theatre, and traditional puppet theater. His work, Masses wins the 18th Taishin Performing Arts Award. Shih-Wei collaborates also with Taiwanese artists as dramaturge in choreographic creation and in puppetry. Panelist｜LIN Zi-Heng He holds an MA in Theatre Practice from University of Exeter and a BA from the Department of Drama and Theatre at National Taiwan University. As both an actor and performance teacher, he has been deeply engaged in Taiwan’s theatre scene for many years. His performance approach is strongly influenced by the psychophysical acting methodology developed by Phillip B. Zarrilli, while also incorporating the The Return of Dionysus training system developed by Attis Theatre. In 2023, he performed in Apostating Time, which received the Grand Prize at the 22nd Taishin Arts Award. In 2024, his performance in Father Mother earned him a nomination for Best Actor in a Play at the Taipei Theatre Awards, while the production itself went on to win Best Play. He enjoys collaborating with a wide range of artistic teams, and his work spans diverse disciplines including theatre, dance, and vocal performance. Viewing himself as a vessel for performance, he continues to explore the possibilities of dialogue between theatre and contemporary society.