我們每個人站立在土地上，不會飛，也不是魚。 以凱道部落為背景，用歌推進邊界、土地、自身的思考。 撤開實驗劇場的固定座椅，放置不同的椅子、凳子及坐墊。巴奈帶領大家手牽手跳圍舞，開啟彼此的心房為暖身，全體劇組成員皆是演出者，在歌曲演唱的過程中遊走於空間中，反覆地使用街頭運動中的物件，建造、移動、拆除。 當邊界模糊，帳篷的內與外，可以是明顯的邊界，也可幾乎相通。面對面，在被剝奪的悲傷，練習訴說的漫長中，以歌聲碰撞摩擦，穿越與收束之間，找到自己的形狀。 你知道自己是誰嗎？ The resources of this land, protected for 6,000 years, began to be consumed more than 100 years ago and continue to be consumed today. Open the door to reflection. Open your arms to join a large circle. Remember the correct way to hold hands before the dance circle disappears. What is a boundary? Where does the land’s boundary come from? Who decides it? Each of us stands on this land. We are unable to fly and we are not fish. The nature of a folk singer is to write about life and the times, capturing moments with lyrics and music, like a photographer captures images. There are no staged poses. Everything happens in fluid motion. As the body poses in fluid motion, you may not be able to clearly see yourself. That's ok. Listen to Panai and practice stretching for better flexibility. 巴奈 Panai 歌手、詞曲創作者、原住民族權利倡議者。年輕時流浪在城市之間，作品色調濃重沉鬱、直白坦率如利刃，自省叩問。在台灣多項人權、環境運動選擇挺身，以音樂做出宣告與反抗。 2017 年起為《原住民族土地或部落範圍土地劃設辦法》排除私有土地問題，於凱道、二二八紀念公園紮營抗議超過 2600 天。 代表作《泥娃娃》（2000），《愛，不到》(2020)入圍第 32 屆金曲獎華語女歌手獎，獲第 12 屆金音創作獎評審團獎。2024 年推出首張台語專輯《夜婆》獲第 35 屆金曲獎最佳台語專輯。 Panai Singer, songwriter, and Indigenous rights advocate. In her younger years, she drifted between cities, shaping a body of work marked by heavy, melancholic tones and a blunt honesty sharp as a blade — deeply self-reflective and questioning. Throughout Taiwan’s many human rights and environmental movements, she has chosen to stand up and speak out, using music as a form of declaration and resistance. Since 2017, in protest against the exclusion of privately owned land from the Indigenous traditional territory policy under the “Regulations for Delineating Indigenous Land or Tribal Areas,” she has camped in protest at Ketagalan Boulevard and 228 Peace Memorial Park for more than 2,600 days. Her representative works include Mud Doll (2000). Love, Less Than (2020) was nominated for Best Mandarin Female Singer at the 32nd Golden Melody Awards and received the Jury Award at the 12th Golden Indie Music Awards. In 2024, she released her first Taiwanese-language album, Ye Po, which won Best Taiwanese Album at the 35th Golden Melody Awards. 音樂總監暨構作 蕭賀碩 4歲開始學習古典鋼琴，10歲創作第一首歌。青少年期接觸搖滾、爵士與流行音樂。曾任醫檢師半年。2000年進入華納唱片由執行製作，A&R到製作人的角色一步一步踏實走來。目前持續與各類型創作歌手，樂團合作。近年探索雅樂、甘美朗等傳統音樂。愛音樂也喜歡科學，理性浪漫的音樂製作人，創作人。 得過的獎作為爭取自由之用。 Shuo started learning classical piano at the age of 4 and composed the first song at the age of 10. In adolescence, she was exposed to rock, jazz and pop music. Served as a Clinical laboratory technologist for half a year. In 2000, she joined Warner Records as an assistant producer, A&R planner, and then a producer. Now she continues to cooperate with various types of singer-songwriters and indie bands. A rational and romantic music worker who loves music and science. The prizes won are used to fight for freedom. 導演暨構作 吳子敬 僻室 House Peace 團長，導演、編劇與舞台設計。作品橫跨劇場、影像與音樂演出，曾獲臺北藝穗節獎項，並以公視短片入選紐約電視獎。近年導演作品參與臺北藝術節、臺南藝術節及戲曲夢工場，舞台設計作品曾獲台新藝術獎年度大獎。近期發展科技藝術，持續以多元形式探索當代表演語言。 Director of House Peace, Wu Zi-jing works as a director, playwright, and set designer. His work spans theatre, video, and music performance. He has received awards at the Taipei Fringe Festival and had a short film produced for Public Television Service selected for the New York Festivals TV & Film Awards. In recent years, his directorial work has been presented at the Taipei Arts Festival, Tainan Arts Festival, and Keep on Dreaming, while his set designs have received the Taishin Arts Award Grand Prize. He has recently expanded into technology art, continuing to explore contemporary performance language through a wide range of forms. 創作團隊 歌手｜巴奈 音樂總監｜蕭賀碩 樂手｜張幼欣、陳啟原、鄭劭華、李承宗、蕭賀碩 現場混音暨音場設計｜劉詩偉 音響技術統籌｜埔頂音響 陳宇謙 構作｜吳子敬、蕭賀碩 導演｜吳子敬 製作人｜魏聆琄 舞台設計｜許光輔（編織藝術家）、吳紫莖（舞台設計執行） 燈光設計｜吳峽寧 舞台總監｜鄧湘庭 技術指導｜王雲祥