「充滿智慧和情感的演出，成功地將現代議題與舞蹈結合，展現了極具創意的藝術手法。」——The List 「令人驚嘆的舞蹈表演，表演者展現不可思議的同步性，創造出原始形態與夢幻般的視覺效果。」——Broadway Baby 「演出中的三個角色透過皮膚、肢體和集體的動作，創造出一系列生物形態，這表現出個體和群體的緊密聯繫，讓人反思個人主義與社群的重要性。」——Butterwort 2026年，首演投影版再度回臺演出！ 「質問生命與自然的輪迴樣態」 生命誕生與結束的狀態似乎有幾分相似，都是弱小的，都是需要依靠他人的狀態，卻又在離別時回歸單一。 「㒩」同「裸」 指生物體無羽、毛的樣子，接近生命始末之型態。 生命是一個循環，從出生嬌小無毛髮到成長年壯，最後慢慢走向瘦骨嶙峋、回到最初的狀態。 生命是一個循環，從出生嬌小、孤獨、無毛髮到成長、年壯，最後慢慢走向瘦骨嶙峋、回到最初的單一個體。在這之間，群居生活使人產生孤獨的感受，展現出人與人不可分離，卻又獨立出生入死的矛盾狀態。 舞者緊密不可分割的舞蹈動作概念，展現不可分離的單一個體，卻又若即若離的關係，莊博翔以詩意的方式傳遞身體、精神、自然與社會的當代樣貌。反映出對於「生與死」的感觸，發現生命誕生與結束的狀態似乎有幾分相似，都是弱小的，都是需要依靠他人的狀態，卻又在離別時回歸單一。 "A performance rich in intellect and emotion, successfully combining modern issues with dance."——The List "An amazing dance performance, with performers displaying incredible synchronicity, creating primal forms and dreamlike visuals."——Broadway Baby "The three characters create a series of biological forms, reflecting on the connection between individualism and community."——Butterwort In 2026, the original projection version returns to Taiwan. "Questioning the cyclical patterns of life and nature." The state of birth and death seems somewhat similar: both are weak, both rely on others, yet return to singularity at the moment of parting. Palingenesis refers to a creature without feathers or fur, representing the primal state of life's beginning and end. Life is a cycle, progressing from the vulnerability of infancy to the vigor of adulthood, before returning to a frail, skeletal origin. Life is a cycle, from Innocent little kid to a grown person, and finally slowly become skinny and back to the initial state. Thinking about the pattern of existence of life itself. In the beginning, human race is just purely existed, and the moment of existence is nihilistic. It must be rendered through time to make the existence of life meaningful and exciting. And life is just like a cycle, at the level of form, there are many opposing life and death, creation and destruction, generation and destruction, a life cycle of a star or planet, a body, a tree, and a flower, the rise and fall of civilization; But it is like a snowy winter, turning the earth into a state of extreme silence. With the change of seasons, spring comes, and everything recovers, but it will surely usher in a snowy winter again; When we were born, we are limited by time. How do we build our own value and existence in this short cycle, and finally we can bloom and slowly wither. 演出暨製作人員名單 編舞家｜莊博翔 舞者｜廖健堯、王官穎、林胤廷（2026） 聲音 / 音樂設計｜噪音印製工作室 何恭譱 影像設計｜葉澈 舞台設計｜吳紫莖 道具設計｜陳洛梵 燈光設計｜陳大再 燈光技術指導｜曾擇弘 影像技術執行｜余竑賢 製作人｜林裕紘 執行製作｜洪小詠 首演與前期製作團隊 舞者｜李冠霖（2019-2025） 舞台監督｜孫唯真 平面設計｜Lunbochilla 貳步柒仔 Choreographer｜CHUANG Po-hsiang Dancer｜LIAO Chien-yao, ONG Kuan-ying, LIN Ying-ting (2026) Sound&Music Design｜PrintedNoise LAB HO Kung-shan Video Designer｜YEH Che Stage Designer｜WU Tzu-ching Props Designer｜CHEN Lo-fan Lighting Designer｜CHEN Ta-tsan ME｜TSENG Ze-hong Projection Engineer｜YU Hung-hsien Producer｜Hank Yu-hong LIN Executive Producer｜HUNG Hsiao-yung Premiere & Development Team Dancer｜LEE Kuan-ling (2019-2025) Stage Manager｜SUN Wei-chen Graphic Design｜Lunbochilla ※本製作獲2020年第五屆「雲門創計畫」獎助。 演出者介紹 莊博翔 曾被歌德獎章得主耿一偉老師讚譽為「下一代最有潛力編舞家」；莊博翔擅長以身體作為載體，拆解、重構動作語彙，透過強烈的視覺風格與科幻影像的氛圍，探索身體與社會、人際關係之間的關聯，延伸其特殊的美學想像。他的作品關注舞者之間的動態機制，從極限身體技術到精準的力場掌控，讓舞蹈不僅是一種表演，而是一場辯證與社會實驗的感官體驗。 2024年以創團作品《㒩》確立獨特的身體語彙，探討生命的循環與轉化。同年前往愛丁堡藝穗節「臺灣季」演出，並獲英國表演藝術媒體 The Stage 評選為「The Fringe Five」新銳劇場創作者，獲評為「來自另一個世界的作品」，顛覆觀眾對身體的既定想像。 2023年《NON-ORDINARY SERVICES》獲西班牙 MASDANZA 國際編舞大賽第二名。先前作品亦獲臺北藝穗節「藝穗原創精神獎」及舞躍大地創作比賽「年度大獎－金牌獎」。 CHUANG Po-hsiang Praised by Goethe Medal recipient GENG Yi-wei as "the most promising choreographer of the next generation," CHUANG Po-hsiang explores the intersections between the body, society, and human relationships through a distinctive aesthetic vision. His work deconstructs and reconstructs movement vocabulary, utilizing the body as both a vessel and a medium. With a strong visual language and a sci-fi cinematic atmosphere, he extends the possibilities of contemporary dance, transforming it into an immersive experience that transcends mere performance—becoming a dialectical exploration and a sensory-driven social experiment. D_Antidote Production 身體處方 「以身為方，於虛實間覺醒。」 身體處方創立於2022年，藝術總監莊博翔試圖以身體出發，廣泛取材社會生活與虛幻想像，透過許多元素的表現，將藝術語彙轉化與融合，並探索生活中細緻的感觸，以及強烈的視覺風格，嘗試形塑出能與觀者及社會對話的作品。期許透過創作建造一面鏡子，讓觀者從中摸索屬於自己的人生解藥。藝術也使人更像人，透過持續創作以凝聚人群並期許自己能成為一個傳遞溫暖的人。 D_Antidote Production "Using the body, movement as a prescription, the company awakens a space between reality and illusion." Founded in 2022, D_Antidote Production is led by artistic director CHUANG Po-hsiang, who seeks to explore the body as a medium, drawing inspiration from both social realities and imagined worlds. By integrating diverse elements and expressive forms, the company transforms artistic language into a fusion of movement, imagery, and emotion—unraveling the subtleties of human experience through a striking visual aesthetic. Their creations act as a mirror, inviting audiences to reflect, engage, and search for their own "antidote" to life. Through continuous artistic exploration, D_Antidote Production aspires to bring people together, using art as a means to amplify human connection and warmth in an ever-evolving world.