《 碎片裡，封存的時間 Time Held Within Fragments 》 李 宜亞 個展 Yi-Ya Lee Solo Exhibition 10.09 - 11.01 2026 ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ 作品取材自私人相簿與舊書雜誌，我將圖像如牆上的便利貼般隨性排列，看似偶然，卻各自凝結著獨立的故事：削皮的蘋果、喝剩的飲料杯、掌心上的迴紋針，或是路邊棄置的舊床墊—這些日常微物與藝術史中的古典名畫元素相互碰撞，交織出兼具省思、敘事與超現實想像。它們在虛幻與現實感之間穿梭，隱晦地藏匿於空間與物件的縫隙。而剪裁後留下的邊角料與簍空殘片，並非無用的廢棄物，而是閃爍著光芒的想像缺口。剪裁的物件、藝術史的殘篇與簍空的空白，三者交織出開放性的敘事空間。 自 2018 年起，油性粉彩成為我主要的創作媒材。我順應媒材本身的質地並體現。作畫時，靠著手指的力量拉引線條、揉抹色彩，畫面在反覆塗抹、堆疊與刮擦之間，展現出如同指尖捏塑般的立體觸感；多重底層的色澤從奶油般濃郁的肌理縫隙中透出，牽引觀者的視線，使物件、空間與觀看者之間產生共鳴。 這些創作脈絡緊扣著我的日常。自從移居台北，三十分鐘的機車通勤是我一日工作的起點與終點。在流動的街道景色中，我的餘光總是不自覺地搜尋著路邊被棄置的家具與雜物。曾撿拾過一只舊嫁妝箱，上面以油漆寫著「臺北之箱」，這四個字讓平凡之物蒙上一層無名而神秘的記憶，一如被剪裁過的紙張，留下一處充滿想像力的空白空洞。 回望創作歷程與成長背景，那些不起眼的、被棄捨的、未完成乃至失效的影像，仍在眼前不斷重演與建構。這些時間與生活的積累如同一頁頁筆記，在創作中持續開放，不斷開啟新的敘事與對話。 The imagery is drawn from personal photo albums and vintage books and magazines, arranged as casually as sticky notes on a wall. Though seemingly accidental, each piece condenses an independent story: a peeled apple, a leftover drink in a cup, a paperclip resting on the palm, or an abandoned old mattress by the roadside. These everyday trivialities collide with elements of classical masterpieces from art history, weaving together a tapestry of reflection, narrative, and surreal imagination. Hovering between illusion and reality, they subtly conceal themselves within the fissures of space and objects. The leftover scraps and hollowed-out fragments remaining after cutting are far from useless waste; rather, they shine as luminous gaps of imagination. Clipped objects, art-historical remnants, and hollowed blanks intertwine to create an open narrative space. Since 2018, oil pastels have become my primary artistic medium, whose inherent texture I embrace and embody. While painting, I rely on the pressure of my fingers to pull lines and smudge colors. Through repeated application, layering, and scraping, the surface exhibits a sculptural tactility akin to molding with fingertips. Multi-layered hues seep through the butter-rich impasto textures, guiding the viewer＆#039;s gaze and fostering resonance among objects, space, and the observer. This creative trajectory is deeply anchored in my daily life. Since relocating to Taipei, a thirty-minute scooter commute marks the beginning and end of each working day. Amidst the shifting streetscapes, my peripheral vision instinctively searches for discarded furniture and odds and ends left by the roadside. Once, I picked up an old dowry chest inscribed with the handwritten phrase "Taipei Box" in paint—four characters that cast a veil of anonymous yet mystical memory over an ordinary object, much like a clipped sheet of paper that leaves behind an imaginative void. Looking back on my artistic journey and upbringing, those unpretentious, discarded, unfinished, and even obsolete images continue to replay and reconstruct before my eyes. This accumulation of time and life functions like pages of notes, remaining perpetually open within the work to continuously spark new narratives and dialogues. ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ ▎ 開放時間 Open Hour 週四 五 六 日 Thur to Sun 13：00 - 17：00 ▎ 開幕 Opening 2026.10.17 Sat. 14:00 ▎ 藝術家現場作畫暨導覽 Artist painting live 2026.10.23 and 10.30 15:00 - 17:00 ▎ POMA project 台北市忠孝東路二段64巷6號2F 2F, no.6, Lane 64, Section 2 Zhongxiao E Rd, Taipei ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ YI-YA LEE (李宜亞) 2012 – 國立新竹教育大學（現清華大學）藝術教育與創作碩士班 創作組，新竹，台灣 2008 – 國立臺南大學美術系 學士，台南，台灣 專業經歷 2014–2025 – 國立清華大學（原新竹教育大學）藝術與設計學系 兼任講師，新竹，台灣 2012 – M.F.A. in Fine Arts Education and Creation, National Hsinchu University of Education (now National Tsing Hua University), Hsinchu, Taiwan 2008 – B.F.A. in Department of Fine Arts, National Tainan University, Tainan, Taiwan